Interview with Harvest House Editor Nick Harrison

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This entry was posted on Monday, December 18. 2006 and is filed under Interview,Posts by Rebecca Luella Miller.

Harvest House Publishers, producing more than 160 new books each year and offering a strong backlist of more than 700 titles, has risen into the top five among American publishers of Christian literature. After years printing self-help, Bible materials, and gift books, HHP has made a strong movement into fiction. Senior Editor Nick Harrison joins us here at Speculative Faith for an interview to introduce one of their newest ventures—a Christian fantasy.

RLM: Last year at Mt. Hermon you were excited about a fantasy trilogy you had just acquired. What can you tell us about it?

NH: The Trophy Chase Trilogy is by George Bryan Polivka. The first book, The Legend of the Firefish releases March 1. The second book, The Hand that Bears the Sword, releases July 1. The final book, as yet untitled, releases January 1, 2008. Naturally, we hope that fantasy readers will love the books, but I hope the interest goes even beyond that. I think that it will appeal to both young and old readers.

RLM: So I take it, The Trophy Chase Trilogy does not target only readers who already love fantasy.

NH: I really think the public at large will love the series. To be honest, fantasy is not a genre that I read extensively in. But from the first page, this story captivated me. All the elements are here: wonderful characters (not just the protagonist, Packer Throme, but minor characters as well), a quest, danger, many twists and turns, a bit of a love story, and a very satisfying ending.

RLM: I’m happy to hear that the books aren’t aimed at a niche audience. Every indication, as we look at the culture at large, seems to suggest that fantasy appeals to a broad base of people. Does The Trophy Chase Trilogy remind you of any other fantasy on the market or is it something completely original?

NH: It’s quite original. The Kingdom of Nearing Vast (where much of the story takes place) is a fantasy world….and yet it’s one where the Bible is very much a part of the culture.

RLM: That’s a unique element for a fantasy world. Besides the setting, what, in your opinion, will readers enjoy the most, the characters or the story?

NH: Well, I’ve always said that, as an editor, I prefer character-driven stories to message- or plot-driven stories. And in the character of our hero, Packer Throme, we find a young man whom we are eager to follow into battle. Packer is very human and makes mistakes along the way, but he is such a well-drawn character that we easily understand why he does what he does. When I finished reading, I found myself thinking like Packer Throme thinks. But beyond the great characters, there is a strong plot and a wonderful message. It’s a page-turner, but also character-driven, AND with a strong message. I would not call it message-driven though.

I can’t say enough about Bryan’s characters. I challenge any reader to NOT care what happens to Packer and Panna….or to any of the wonderful supporting characters: Cap and Hen Hillis, Will Seline, Sam Delany,

Marcus Pile, Dog Blestoe…and in the second book: Bran Mooring, Prince Ward, and even a couple of the ill-fated bad guys. Truly a magnificent job of creating living, breathing characters.

One other great achievement here is that in addition to the high drama involving the hero, Packer Throme, Bryan has given Packer’s love interest, Panna Seline a major adventure of her own. Thus there are two major players in the book: Packer and Panna. I’m really pleased that this trilogy has not just a strong male figure, but also a very strong and compelling female character as well.

And if that weren’t enough, Bryan gives us a very keen insight into one of the story’s antagonists, Talon, a female Drammune warrior. And if THAT weren’t enough, Bryan also takes us into the mind of the title creature, the Firefish, a large and fierce sea-creature that figures into a major part of the story.

Bryan’s ability to handle the point of view shifts necessary to pull off this feat is awesome—and unique. Not many authors handle point of view as well as Bryan does. I consider Bryan’s use of point of view a huge asset to the book—even though I know that all the writing books warn against such shifts. I think they do this because few authors can handle those shifts well. Bryan is a master at it, in my opinion.

RLM: I know one of the things I learned from you at Mount Hermon was the importance of creating characters readers care about, so I’m not surprised by what you’re saying. But back to the elephant in the room—Harvest House is publishing FANTASY. Recently someone told me they thought yours would be the last publisher to pick up a fantasy. Was that an accurate statement and if so, what changed?

NH: Our mission statement at Harvest House Publishers is "to glorify God by providing high-quality books and products that affirm biblical values, help people grow spiritually strong, and proclaim Jesus Christ as the answer to every human need." We try to do that with all the books we publish—fiction and non-fiction. In the past, it’s true we’ve not done much in this genre….but we like to think we’re always open to books that "fit" Harvest House and our mission statement, even if they’re in a genre that’s untested for us. Of course, a book in a new genre may have a higher hurdle to clear….and I think that’s what happened here. We feel the series is THAT good. It cleared a huge hurdle. We are willing to step out and publish something new that meets the criteria of our mission statement AND is a very satisfying story.

RLM: Makes sense. So, how did you find George Bryan Polivka?

NH: I love the way this happened too. It offers hope to unpublished authors. Every week (well, just about every week), I check the two major on-line manuscript-listing services: the one hosted by ECPA and Writer’s Edge. In all my years of checking those services, I’ve asked to see maybe 30 or 40 proposals….and in those 30 or 40, I think we’ve published maybe half a dozen. And I found Bryan Polivka on Writer’s Edge.

RLM: Wow! I know some people in the publishing business who didn’t think those services benefit writers. This is encouraging! But back to fantasy, do you have any plans to look for other speculative works and if so are there any particular elements you desire?

NH: Having taken the plunge with The Trophy Chase Trilogy, we may, at this point, want to wait and see how it does. But honestly, if I found a second series or a stand-alone that I felt was as good as Bryan’s books, I’d pitch it hard to our publishing committee.

RLM: Are there particular elements, like talking animals or magic wands, that you would avoid?

NH: I doubt we’d want wands or overt "magic." We do not allow crude language or overt sensuality, and of course, the story has to be consistent with our mission statement.

RLM: How would you categorize the "faith element" in The Trophy Chase Trilogy? Is it allegorical? Present as the worldview of one of the characters? Symbolized? Or something else altogether?

NH: It’s overt Christianity. Packer Throme is a believer in trusting the God of the Bible and in Jesus Christ. That may sound strange to fantasy fans…but it really works. The world is a fantasy world—it’s called The Kingdom of Nearing Vast. And yet it is clearly set on earth. And yet the time is not modern times, but not ancient either. Bryan has done a marvelous job of making a fantasy kingdom that is very believable.

RLM: In your opinion what is the strength of the fantasy—the special elements a secular story might term "magic," the other world, the other characters? Why is this element particularly engaging?

NH: Bryan has created a highly believable kingdom and compelling characters who inhabit that kingdom. He has also given them some enormous challenges that they truly can’t meet without a lot of courage and a strong faith in God. I think, then, for me, the strength of this fantasy is that one really believes in the Kingdom of Nearing Vast, much like one "believes" in Narnia.

RLM: What a ringing endorsement!

Nick, thanks so much for your time. You are a wonderful advocate for George Bryan Polivka and The Trophy Chase Trilogy. He is blessed to have you in his corner! After what you’ve said, I’m excited to read the first book, especially since you promised me a sneak-peek.

I also have to say, it is heartening that another publishing house has stepped into the fantasy arena.

You’ll be interested to know that last week during Kathryn Mackel’s Trackers CSFF Blog Tour, Technorati’s top four books on the Most Popular list were all fantasies, with Trackers coming in at number two. I think the future of Christian fantasy is looking brighter, in part because Harvest House has stepped up to meet the culture where it is at.

 
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    • Monday, December 18. 2006 DLE wrote:
      I find it amusing that Harvest House considers Polivka an "unpublished author" when he's won an Emmy for writing a TV documentary.

      If that's the kind of standard the publishers consider they're taking a chance on, then I guess the rest of us hopeful writers better go back to our day jobs! ;-)
      Reply to this
    • Monday, December 18. 2006 Kameron wrote:
      Script-writing and novel-writing are too different disciplines. Through in the transisiton from non-fiction/documentary to fiction, and I can definitely see how Polivka could be considered unpublished by HHP.

      I for one was intrigued about the online ms listing services. I've never heard of such a service, and will have to check out the two sites mentioned.
      Reply to this
      1. Tuesday, January 02. 2007 Lex wrote:
        I'm familiar with both services. I subscribed to First Edition (the ECPA one) for a year with a proposal I had. I knew *nothing* about the publishing industry, so I made a lot of mistakes, but the service is structured to help you learn proposal formatting. The only offer I received was from a vanity press, but they were persistent.

        Writer's Edge is actually on my list of things to do. This service has another pseudo-proposal format, which includes the first 3 chapters of a work. This proposal is then read by someone who works in the industry (volunteers, and mostly anonymous, I understand). If the Writer's Edge people think it's viable, they write up a short synopsis based on what they've read and send this synopsis to all the major Christian publishing houses and most of the minor ones. If it's picked up within a year, you get your money back. WE statistics say that books are picked up about once a month by publishers. Publishers, from what I've heard in interviews and at conferences, like the idea of WE but don't read it as closely as something that comes in from an agent.
        Reply to this
    • Monday, December 18. 2006 Pixy wrote:
      Thanks Nick! You do an awesome job of promoing the book. Can't wait to get my copy!
      Reply to this
      1. Monday, December 18. 2006 Rebecca LuElla Miller wrote:

        Dan, I had to go back and reread the interview to see where you got the idea that Harvest House considers Polivka unpublished. Nick did say that his finding Bryan through Writer's Edge would be an encouragement to unpublished authors, but that's the only place he touched on the subject.

        When we get a chance to have Bryan here or at A Christian Worldview of Fiction, you'll learn how long he'sbeen writing fiction and what a long road he took to reach this point. I am excited for him and figure he must have used the time well.

        I will hold off endorsing the books until I actually read them, but I know Nick has high standards—something I want to see in CSFF.

        I firmly believe that when we pull for one of our authors, we're pulling for them all, including the unpublished, because, as you can see from Nick's response, if Bryan's books sell well, that will let Harvest House know they can expand their fantasy selections.

        Becky
        Reply to this

        1. Monday, December 18. 2006 Rebecca LuElla Miller wrote:

          Kameron, you're also right that script writing is another whole animal from novel writing. I am learning, however, that a number of other first time novelists broke into publishing in another genre. Sharon Hinck, for example, published 9 non-fiction books before her first fiction work came out. Some agents encourage their clients in this vein.

          Some authors also publish in a fiction genre that is more open than SFF before breaking into CSFF. Once they demonstrate their ability to generate decent sales, then their speculative works are an easier sell to acquisitions editors.

          Rachel, I'm excited too. Reading Nick's comments about the Trophy Chase Trilogy has me raring to read the books.

          Becky
          Reply to this

    • Monday, December 18. 2006 Tina wrote:
      What a great interview and man, I'm very excited about these books now. Hopefully we can feature them each on the tour.
      Reply to this
    • Monday, December 18. 2006 Frank Creed wrote:
      I too look forward to reviewing Polivka's The Trophy Chase Trilogy. I agree with Mr Harrison's affinity for character driven fiction, and that quality fiction of any genre canbe too goon NOT to publish, and even attract readers from outside the genre. His comments remind me of M.L. Tyndall's Legacy of the King's Pirates. It's shelved as historical romance when it should be shelved with Robin Hood.

      Great interview, guys,
      Frank Creed
      Reply to this
    • Monday, December 18. 2006 Chris Mikesell wrote:
      Thanks Becky and Nick. As a dad whose son is almost ready for chapter books, I'm heartened by this and the handful of other fantasy books/series currently finding their way into the marketplace.
      Reply to this
    • Monday, December 18. 2006 Mirtika wrote:
      I have to say I'm disappointed that I still don't have a clue what the story is about! :) I would have loved a sort of 40 word blurb or something. As it is, if someone asked me, I can only give bits and pieces, but not clear idea of what it's plot is.

      Note on the script/novel thing: Suzanne Brockman, multiple award-winning romance author, taught herself to write by writing screenplays. It teaches about pacing, dialogue, not wasting space, pertinent action, POV, etc. So, while there isn't a direct correlation between writing well in one medium versus the other, there are common story and craft elements so that excellence in one MAY hint at skill in the other.

      Mir
      Reply to this
    • Monday, December 18. 2006 Pixy wrote:
      Oh, yah, a blurb. That would have been nice. I do love charatcer driven stories, though. IMO they're the one's with the best hook. And I find myself getting bored reading ones that aren't. How can I care what happenes unless I feel conected to the people it's happening to? I think it's part of the reason why I'm not as into most CBA. They tend to like event or message related stuff--at least that's been my experiance from what I've read in the past. I was highly disapointed in some I've read this year. Some of the character's could stick their toung out, turn to the side, and look like a zipper, they're so flat. ;)
      Reply to this
      1. Monday, December 18. 2006 Mirtika wrote:
        I need a good strong plot combined with interesting characters. I'm not a character-book reader. If I lean to one side, it's to plot. Meaning: If I had to choose between a characterizationally dense novel with little plot, or a stunningly plotted novel with less-than-profound characterization, I'll take the plot novel. Probably why I go for fast-paced reads like thrillers or plot-heavy ones like mysteries or quest tales. If there isn't a page-turning plot, I probably won't hang around to find out who the characters are.

        Mir
        Reply to this
    • Monday, December 18. 2006 Pixy wrote:
      oops, I mean "tongue". Der. Where's spellcheck when you need it? ;)
      Reply to this
    • Monday, December 18. 2006 Tiff / Amber wrote:
      Wow! This is encouraging for the CSFF writers. HHP has always been known for being quite conservative in its publishing selections and possessing high standards. So, you know this series is great if it's gotten the green light.

      I pray it leads to many more houses following suit so y'all can get a fair shake.

      Thanks, Nick and Becky for a great interview.
      Reply to this
    • Tuesday, December 19. 2006 Shannon McNear wrote:
      Great interview! Thanks to Becky and Nick. I'm looking forward to reading the stories!
      Reply to this
    • Tuesday, December 19. 2006 C.J. Darlington wrote:
      I can't tell you how many writers I've heard lament the lack of Christian fantasy titles. It's great to see a publisher taking a step in this direction of offering titles in a much neglected genre in the CBA. Thanks for this post.
      Reply to this
      1. Tuesday, December 19. 2006 DLE wrote:
        CJ,et al.,

        I've been writing spec fic for a few years. Though I've heard your lament (and have voiced the same lament myself), what people are lamenting isn't finding support outside the community of writers.

        I know many Christians who read secular spec fic. But they're simply not buying Christian spec fic (as is evidenced by this: http://csffblogtour.com/?p=51). What then to make of the issue?

        1. The name writers in Christian fiction aren't writing spec fic, so the genre's getting ignored.

        2. Publishers may be buying a few spec fic titles, but they're giving them half-hearted marketing support.

        3. The Christian spec fic getting published isn't as good as secular spec fic.

        4. The Christian spec fic getting published isn't as good as the Christian titles that aren't spec fic.

        5. The people writing spec fic in Christian circles have no fan base.

        6. We've overestimated how many
        people read spec fic at all.

        7. Christian readers of other Christian novel genres struggle with the whole "unreality" angle behind Christian spec fic.

        One, some, or all of those assertions are true. You make the call.

        Dekker and Peretti sell spec fic. Whether you can argue that they're the best writers or not, they definitely have the most marketing behind them. So maybe it IS all about marketing. If anything, publishers are hinting at putting more marketing behind proven authors and less behind new ones coming up. That obviously hurts not only spec fic authors, but spec fic in general.

        Or perhaps the audience is fickle. Perhaps Christian readers of secular spec fic enjoy the sex and violence they find in secular novels, finding the "sanitized" works offered by Christian writers dull. Or they're tired of all the spiritualizing and allegorical nonsense they read in Christian spec fic. We can lament that all we want, but I suspect that part of those assertions is true.

        I'm considering abandoning the CBA entirely. Truthfully, I never wanted to write CBA titles, instead preferring to "take the cross over" into the secular market.

        But with the rise of all these Christian imprints within secular publishing houses, even the slightest hint of Christianity in a novel gets it shunted from the secular imprint to the Christian one. So while Christian titles increase, so does the tendency to shove them into a Christian ghetto.

        In the end, I don't know what the answer is.
        Reply to this
    • Tuesday, December 19. 2006 Sharon Hinck wrote:
      Wow, Becky!
      I'm impressed with myself.
      I had nonfiction ARTICLES included in about nine or ten book compilations during the years before I got my first novel contract. And much earlier, I did some writing for magazines. But I didn't WRITE nine non-fiction books. :-)

      GREAT interview!
      Nick is the consummate gentleman. So kind and encouraging. I met him at my first writer's conference and made my first VERY awkward pitch, "Um, you're an editor? Um, you wouldn't be interested in a really weird story would you? Okay, thanks." to him, and he was incredibly gracious.
      Reply to this
      1. Tuesday, December 19. 2006 Rebecca LuElla Miller wrote:

        Sharon, thanks for clearing that up. I only scanned the non-fiction section of your web site. I should have looked more closely before spreading a false idea in cyberspace. And needless to say, I was quite impressed too. Seemed like those publication dates were awfully close together. I figured you'd been writing and writing and had a pile of manuscripts just waiting for someone to pick up. Hahah.

        Becky
        Reply to this

        1. Wednesday, December 20. 2006 Rebecca LuElla Miller wrote:

          I wanted to answer Dan's comments but did so in my blog post today at A Christian Worldview of Fiction.

          Becky
          Reply to this


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