Chris Walley answers questions!
This entry was posted on Thursday, January 11. 2007 and is filed under Interview,Posts by Shannon,Christian SF Definitions,Posts by Chris Walley,Defining Terms and Discussing Tropes.
[Today's post is by special guest, Chris Walley, whose blog I highlighted last Thursday.]
Last week, I got asked two excellent questions by E. Stephen Burnett. Let me try and answer them in turn.
1) Why is it that British authors seem more prone to writing more excellent Christ-honoring sci-fi and fantasy – or anything within those genres altogether? Lewis and Tolkien are oft cited, of course, but now I believe we can include both Stephen Lawhead and you. Is there some socio-cultural reason? educational? or a different form of faith tradition?
When I worked in the oil industry I used to give careful, reasoned answers based soundly on documented facts. It was terribly dull and so here I want to be a little bit more adventurous. Yes, there are major differences between
1) Historically,
2) Culturally, the prevailing British view of life is extraordinarily cynical. I am some way through watching West Wing and whatever your views of it, it would be absolutely impossible for there to be a British equivalent. To have a Prime Minister who was not corrupt, incompetent or downright evil? I can hear the laughter now! In such a caustic environment it is very hard to express good and evil in a real-world setting. Fantasy allows the Christian to describe battles of good and evil, which every Brit knows never occur in the reality.
3) Theologically, the church situation in the
Finally, I do wonder whether the British interest in SF and fantasy fiction occupies the same niche as the western in the
2) If I remember the back-cover summaries correctly, both novels deal with civilizations thousands of years in this world's future, on "created-worlds." On your blog you've written about your views on including "magic" in fiction, based on Scripture. What is your viewpoint about how far we can go with imagining stories in this world — without going beyond Scriptural parameters (e.g. eschatology) and being forced to generate a parallel dimension or a galaxy far, far away?
In the early days of the Reformation, the theologians, trying to unite what was becoming a rapidly fragmented reformed Church, created two categories: things that were vital and ‘things indifferent’ (adiaphora). I think this is still a useful division. I would not even contemplate a story in which Christ was not God, sin was seen as harmless or in which the devil ultimately won. Those are the non-negotiables, it seems to me, for the Christian writer. But beyond that, we are in the adiaphora and have a lot of freedom. I personally consider the timing of the Second Coming to be a thing indifferent. Yes it will happen, but good and godly people disagree over the details. Thus we have some degree of freedom to posit an alternative to the currently popular model. Incidentally I’ve gone back to the Puritans for mine, and just boosted the timescale. They would probably have found the eschatology proposed by certain popular American authors as very dubious. Fashions change!
I find writing anything Christian to do with really non-human cultures profoundly difficult. That may just be me but I think there are issues when you step away too far from human being. This may be the problem strange cultures and strange things creates too much strangeness. I suspect the best sort of fantasy where you manage to portray reality but as in a mirror so we see ourselves as we are for the first time.
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Thursday, January 11. 2007
E Stephen Burnett wrote:
Chris,
'Tis great to have you back. Partially in anticipation of your guest-post, I picked up a copy of The Shadow and Night yesterday, with employee discount from the little Christian bookstore where very few books like yours are sold. I anticipate delving in probably as soon as this evening, as soon as I wrap up my previous little project ...
(It's Harry Potter and the Prisoner of Azkaban. Ah, yes, you people shall not have me for long; that real-life Witchcraft stuff I think has finally done me in to the side of Satan.)
So of course I read your responses with fascination, especially in regard to the historical differences. America, indeed, and especially American Christianity, is quite acclimated to seeming Big a lot of the time, thus its fiction products tend to be rather small-scale.
And therefore, "escapism" means two things, to different demographics?
To Americans, it means: oh, we must escape from the business and scariness of life, into a more-tranquil, ideal existence, with bonnets and handsome men and spaghetti socials and apple pies.
To the British, it means: more of them would rather "escape" to fantastic literary worlds as their lives as a limited global power are rawther dull, cheerio?
Personally, I prefer the latter country to the former, at least in terms of its resident Christians' reading preferences. I don't suppose you have any space in your cottage?
Meanwhile, I've contended in the last installment of a series on this blog that readers must be able to see themselves in a story, as if in a mirror (and, moreover, the Church in a story, though the reflection at times may be ugly).
Indeed: too much strangeness is uncomfortable to people. And some American Christians -- or "Churchians," if they're not truly Christians -- tend to get uncomfortable easy. Anything beyond literary reflections of people like them, or common-life situations, whether historical or modern, seems foreign to them. And that is why speculative fiction, sci-fi / fantasy / in-depth, epic, "widescreen" stories, tend to be lacking in American Christendom.
Which makes any publication of one all the more unique. One of Tyndale's editors told me directly that they were currently not looking for anything like fantasy/sci-fi, although they were publishing *something* in coming months. I suppose now that publication was of your two books.
Unless you have done so elsewhere and I'm too dense to see it, might you have time to explain how did this original publication come about? Also, what may have led Tyndale to decide on combining the young-adult-focused shorter paperbacks into fuller-length, *hardback* novels?
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Thursday, January 11. 2007
Rebecca LuElla Miller wrote:
I'm enjoying reading your views on these issues, Chris. I'd love it if you'd elaborte on your last point.
Are you saying you found Tolkien's elves and dwarves difficult? Lewis's Fawns and Beavers? Or do you mean you'd find writing such difficult?
Becky
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Thursday, January 11. 2007
Rebecca LuElla Miller wrote:
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Saturday, January 13. 2007
Chris Walley wrote:
Hi both,
Just to say that I will answer these next week
Blessings
Chris
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