The Anatomy of a Fantasy—a Look at the Legends of the Guardian-King, Part 1

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This entry was posted on Monday, April 16. 2007 and is filed under Posts by Rebecca Luella Miller,Writing CSFF,Fantasy,CSFF Blog Tour.

Karen Hancock’s final installment in her Legend of the Guardian-King series, Return of the Guardian-King, released this month and the CSFF Blog Tour is featuring it this week.

Of all writers publishing in the CBA, Hancock stands out as the one carrying the standard for science fiction and fantasy. Each of her first four novels won Christy Awards, though the categories continued to shift—from allegory to visionary (a combination of fantasy with science fiction and spiritual warfare).

Because of her success (awards, solid sales, continued book contracts, positive reviews), I think it’s important to look at what Hancock is doing right. This is the first part of a look at her series. Parts 2-4 will continue today through Wednesday over at A Christian Worldview of Fiction.

The first thing that stands out, of course, is Hancock’s writing. Even in her debut novel, Arena, Hancock received praise for the quality of her writing. This from Publisher’s Weekly:

There are disappointingly few good SF novels for the Christian market, and Hancock's intense debut is an excellent though edgy contribution to the genre.

“Excellent”—Publisher’s Weekly acknowledged that the book was “excellent.” High praise for a trade journal, and not overstated.

In my opinion, Legends of the Guardian-King is even better. For one thing, contrary to what some people have said, I think the allegorical elements, especially in the first of the series, Light of Eidon, are less pronounced. Consequently I was more off balance, uncertain where the plot would take me.

This ability to be unpredictable is one of the key components in Hancock’s writing. Yes, there is an underlying feel that all will be well in the end, but the how are we getting there is fresh and exciting.

Here are some of the ways, I believe, Hancock makes the story fresh:

1) Her characters have weaknesses and those weaknesses lead them to places the reader doesn’t expect;

2) The books don’t end with implausibly neatly-tied bows—except perhaps for the final installment;

3) New conflicts face the characters throughout. Unlike the Star Wars saga, or Rocky, in which a new antagonist is merely switched in for the old, the antagonist remains the same but utilizes different weapons;

4) Relationships change. Because Hancock creates characters that grow and change, the stories never seem as if they are covering the same old ground;

5) The world Hancock creates is distinctive. It has the feel, at times, of the Roman empire. Then again, it feels like some place in medieval Europe or superstitious-laden parts of Africa or false-religion-following places in Asia. In fact, it is a wonderful blend, a new place, that feels very real even as it is unique.

In the ensuing posts about Legends of the Guardian-King, I want to look a little deeper at these components. It seems important to me that we understand just why Karen keeps winning those awards. ;-)

Other bloggers posting about Return of the Guardian-King in the next three days include the following: Nissa Annakindt Wayne Thomas Batson Jim Black Jackie Castle Valerie Comer Karri Compton Frank Creed CSFF Blog Tour Gene Curtis D. G. D. Davidson Chris Deanne Janey DeMeo April Erwin Kameron M. Franklin Linda Gilmore Beth Goddard Marcus Goodyear Rebecca Grabill Andrea Graham Jill Hart Katie Hart Sherrie Hibbs Sharon Hinck Christopher Hopper Heather R. Hunt Becca Johnson Jason Joyner Karen Dawn King Tina Kulesa Lost Genre Guild Kevin Lucia and The Bookshelf Reviews 2.0 - The Compendium Rachel Marks Rebecca LuElla Miller Shannon McNear Caleb Newell Nicole Eve Nielsen John W. Otte Robin Parrish Rachelle Cheryl Russel Hanna Sandvig Chawna Schroeder Mirtika Schultz James Somers Tsaba House Authors Steve Trower Daniel I. Weaver

 
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